#maybe it wasnt the only way

[carto0ncritter]

I just want to say that I personally disagree with the claims that Stolas is a coercive rapist. You don't have to agree with me. I just want to share my perspective. Alright, here we go.

Let's start at Harvest Moon Festival: 'When this happens, it's not really something I fuss about...' and 'Well, I'm not a fan of someone I offered a job to about to off my easiest lengthy ticket to Earth behind my back.' Notice how Blitz says 'easiest lengthy ticket' here, not 'only ticket', and Blitz knows about Asmodean Crystals, as evidenced by Unhappy Campers where he forces someone to use it to create a portal to the living world, so the Grimoire was never the only option Blitz could've used to run I.M.P. Sure losing the grimoire would've disrupted business for a bit, but again, it was never Blitz's only option. It's also been confirmed in Ghostfuckers that I.M.P used to assassin jobs in Hell before Blitz got the Grimoire from Stolas, I.M.P was running fine without the Grimoire, if Blitz couldn't get his hands on the Grimoire or the Asmodeun Crystal he and his could always just run missions in Hell, so the coercion argument already falls flat there, but let's beat it up a bit further shall we?

Now let's look at Ozzies, at the ending of it Stolas never pressures or forces Blitz into having sex with him or quote 'We could talk, or… watch a movie, or… maybe cuddle?', Blitz turns Stolas down here, and Stolas never forces or pressures Blitz into doing said things with him, and you know what this also proves? It proves that Blitz has always the self-agency to tell Stolas 'no I don't want to fuck you', which also shows that Blitz actually wanted to have sex with Stolas, which we can prove by the text messages Stolas and Blitz had after Ozzie's.

The text messages at the end of Western Energy show that Stolas is actively giving Blitz the option to not fuck him, which also tells us that Blitz always had the option to tell Stolas no, and hell, we can see in the All 2 U song that Blitz turned down Stolas most likely asking Blitz to stay after the sex, proving even further Blitz always had the self-agency to tell Stolas no, which shows that Blitz wanted to have sex with Stolas.

And I'm not even counting everything about what happened in Full Moon episode. Blitz literally sings about how much he enjoys sex with Stolas, spends the whole day buying things to use on Stolas, begged for Stolas to keep the deal, said multiple times about how much the deal is something he enjoyed and wanted to keep, and told Loona and M&M about how Stolas never forced anything on him which lead to months without intimacy between them. Where is the coercion??? Simply, it's not there.

Now let's look at Apology Tour, Blitz wants the arrangement back, to fuck Stolas again. Which tells us something that the people peddling the bullshit 'Stolas is a rapist' argument entirely ignore, Blitz is the one unhappy with the arrangement ending, not Stolas, Blitz.

Also, Blitz has the Asmodeun Crystal by this point, he could've easily have just told Stolas to fuck off and leave if he was truly being coerced and raped by him, but he chooses to stay because at this point he thinks this gesture is a farewell gift from Stolas, and it's been made very clear that Blitz has strong feelings for Stolas by this point despite his self-hatred, that he doesn't want to lose Stolas, which also helps to further prove that Blitz wanted to have sex with Stolas out of his entire free will.

Blitz having sex with Stolas was a way for Blitz to be close to Stolas without having to be vulnerable, and when Stolas gets rid of the arrangement Blitz is scared because it would force Blitz to be vulnerable towards Stolas.

Is all of this really the behavior of a person who felt coerced into sex he didn't want to have? Because I think it's pretty clear that Blitz at no point felt coerced into having sex with Stolas, and the people that claim otherwise I have good grounds to believe aren't even watching the same show anymore.

i think i can sum up everything you said here, from my pov, in one sentence: "A part of Blitz craved Stolas' "affection" and "interest" in him because he had never experienced true love before (+ all the trauma in his past really fucked him up when it comes to opening up his heart and recieveing love and not pushing people away), and pretty much got hooked to the "relationship" despite Stolas' gaslighting, name calling and manipulative tendencies"

long story short, blitz fell in love with his abuser and is unable to break free. symbolically, he cant break the chains

[heartorbit]

the star you've longed for

[moeblob]

A lil guy !

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[ch1zzie]

The original in the bottom

Plus the picture I mainly drew but decided to draw the rest for funny

[mythalism]

from @/elfbotanist on twitter who is posting from trick's bluesky; they elaborated a bit on exactly what the intention of the solavellan ending is

[usertoxicyaoi]

found this super interesting. this person below is an acting coach and scriptwriter that's worked on/working on: kinnporsche (2022), only friends (2023), playboyy (2023) and mansruang (2023):

[chasing-faith-and-fate]

Moon 16

Pt 2

Moon 16 p1 | Moon 17

[kusanagihaku]

niche content but tier list of ghouls as clinicians (any patient-facing healthcare role)

sorry yuri but you'd fail viva

[many-gay-magpies]

god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.

charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.

edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.

the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).

i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.

[puppyeared]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[spaciebabie]

at first getting diagnosed with cptsd was like, "yay my trauma has been validated (it always was valid)!" and i really thought that was going to be it, but then i started to do research as i do whenever i realize i have something and learned that!! the way i experience socialization is!! quite horrid actually!!

[crustyfloor]

"Ivan isn't loved by anyone-" You were fooled by his warped perspective.

[pinnithin]

enver gortash fascinates me from the perspective of his relationship with the dark urge because like, as far as i know his alliance with them is one of the very few he didn’t actively despise. the guy was sold into slavery by his own parents (who tried to justify it by saying their child was a hateful monster and anyone would have done the same) and spent his formative years employed by a devil who gets off on gratuitous levels of suffering and manipulation. and then once he's escaped that and built himself up so he can never be used and enslaved again he meets this bhaalspawn who also had to adapt and survive a violent and manipulative environment for years by becoming the monsters who raised them.

gortash sees how the dark urge has risen to command armies and slaughter hundreds in the same way he outfoxed raphael and ruthlessly controls the people in his employ, and after earning and owning his reputation as a tyrant heres another person who might actually have like, a shared lived experience. not exactly a friend, because people like them can't afford to have friends, but someone who at least understands. and he willingly works with them on this plan to enslave the sword coast and agrees to share power with them.

and then orin lobotomizes them, puts a tadpole in their head, and leaves them for dead at moonrise.

like, can you imagine. youre working with the first person you see eye to eye with and prooooobably arent plotting to actively sabotage (or, at least would hesitate to do so) and the rug just gets yanked out from under them by their own sister, and now you're stuck with her because the plan still has to move along. and as the days go by a group of adventurers start to screw up your plot right when baldur's gate is within your grasp, and you learn that among them is your old almost-friend who you actually liked and respected - and they have no memory of you whatsoever. oh, and on top of that they're rolling with people you've actively fucked over and want to kick your ass.

did it hurt for him to learn this? did he ever think about how things could have been different? did he think, you were supposed to be my ally, my friend, someone who actually understands that becoming a monster is the only way to keep yourself safe and in control. we were going to rule together. and now you're ride or die with this squad of people you've only known for a few weeks at best, and you want me dead. you don't even remember me. you don't even remember yourself.

[aroaceleovaldez]

i hope this doesn't sound like a silly or weird thing to send you, but i'm autistic and have long thought of nico and a handful of other riordanverse characters as autistic and i love your posts about why nico in particular seems intentionally autistic-coded. but i've been thinking, if rick did intend for any of his characters to be autistic, why wouldn't he say so outside of the text at least? i can't think of a good reason why not, when he goes out of his way to be explicit about so many other characters' various marginalized identities and has confirmed things like reyna being asexual outside of the original text. so it gives me this nagging sort of doubt that maybe rick just made nico come off as so extremely autistic coded by accident, somehow. if it wasn't an accident i do kind of wish he'd say so because there's next to zero explicitly stated autistic representation in, like, any media so it'd be nice to have here even if not strictly necessary. either way though, like i said, i love your posts and i agree with you 100% about autistic nico! some others i like to think are autistic are annabeth and leo.

(Most of this is gonna be kind of a tangential ramble to your point and i apologize in advance just bear with me)

This actually touches upon something I've been meaning to do a write-up on recently, which is: depending on the coding, that is our explicit statement. In most coding, actually, that's kind of the point. (Also something something Death of the Author.)

You may have noticed a recent trend across media of characters saying things directly rather than expressing them in a natural way, and often this includes incredibly stilted dialogue of characters explaining things in very politically correct, wikipedia-esque descriptions and terminology that make absolutely no sense for the characters' personalities or mannerisms. This is born out of the idea that if something is not stated in explicit terms, no amount of evidence below an outright direct exact statement will ever count - if two characters of the same gender have an explicit kiss and wedding on-screen, it doesn't matter because they never said the word "gay," etc etc.

In PJO, prior to more recent books, we get plenty of examples of characters explaining parts of their identities without direct statements. Percy never needs to say in outright terms that he has PTSD from Gabe - and it doesn't make sense that he would! He's 12! He's never been diagnosed for that. He probably doesn't even know what PTSD is really. But we, the audience, know without a doubt he has PTSD, because it is clearly expressed to us. That is coding. Tyson is coded as having down syndrome. Nico is coded as being autistic. It doesn't make sense for Nico to turn to the camera and explain that he's autistic and what that means, because he definitely never got diagnosed for it and probably doesn't know what that means cause the diagnosis literally did not exist when he was growing up - and heck, autism terminology was still kind of getting sorted out back in 2007 when TTC was published, so it's unlikely we could have feasibly gotten any exact terminology wink-wink-nudge-nudges short of something like how Percy outright mentions other students called Tyson the r-slur in Sea of Monsters. And in fact we see that same exact style of coding with Nico later on in the series. Nico never turns to the camera and says word-for-word "I am gay, I am mlm, here's me wearing my exact pride flags" (until TOA/TSATS, which... did the exact thing i mentioned about characters speaking like theyre trying to get a good grade in therapy, or giving a powerpoint presentation). But it is never unclear that HoO is telling us outright that Nico is gay. It's not just hinted at. It's there, in your face. But entirely because no one ever outright says "gay" specifically it's technically still only coding. We know he's gay, we know the characters have trauma/ptsd, etc etc. We don't need it spelled out - that's just kind of condescending. It's like if you said describing a character with "eyes like moss" means they were "green-eye coded."

Nico being autistic-coded isn't hidden. It's not a secret. It's very overt. If you know what autism looks like, well, yeah, there he is. Even if you only know very vague 2007 media presentation of autism, Nico in TTC is easily recognizable enough as autistic because that's the point. Tyson is easily recognizable as being coded as having down syndrome and it's very clearly very intentional! It's just never spoon-fed in exact terms to the reader because it's not necessary! You've already been told the information necessary to tell you what is up with this character, so just plainly going "oh they're [x] in exact terms" is very much telling-not-showing and feels redundant. And while there are places for that kind of thing, most of the time it's very unnecessary. Sometimes coding is subtle, sometimes it's obvious, and yeah there are times where writers code characters unintentionally, but the textual evidence is there, and that's the whole point.

And that's what Death of the Author is about - it doesn't matter what the author intended at the end of the day, because if it's in the text it's in the text. You can look at author intent to try and figure out what that text means, but the text is the text. A Separate Peace is a very classic example - author John Knowles denies there being homosexual subtext, and meanwhile one of the protagonists living in 1942 puts on a pink shirt while saying he doesn't mind of people think of him as gay. What the author says after the fact doesn't matter - if it's there, it's there. So Rick saying anything outside of the books is completely irrelevant. And Rick talks about this a lot - he actively tells people that his statements outside of the books are just his own thoughts, but what's in the books is what's in the books, and if the text supports it then that's all the evidence you need.

Nico specifically is a case where yeah, he's clearly autistic-coded. It's very obvious and very obviously intentional when he's younger, and as the books progress it remains a background trait of his but is still notable (except for when it gets forgotten in TOA/TSATS like everything else, including the adhd/dyslexia, but i digress). It's a clear pattern within the first few books that Rick is intentionally including. It doesn't make sense, especially for the year the book was published, for the reader to be directly told in explicit terminology that Nico is autistic, because the reader is already being told that Nico is autistic.

And yeah, Rick doesn't mention Nico being autistic-coded outside of the text, but he also doesn't mention Tyson being coded as having down syndrome. He also said one time that Percy doesn't have PTSD at all, which is very incorrect starting from book 1. Again, Death of the Author. Whatever Rick says outside of the books does not matter, because he already said it in the books. And there's plenty of other stuff in the books that Rick doesn't touch upon, particularly relating to character identity - did you know Leo is Native? Sammy mentions that the Valdez family is Native in Son of Neptune but we don't get any specifics and then it's like never brought up again anywhere. That happens all the time in the series - and outside of the series - Rick can't possibly address every single point to confirm/deny everything from the books. That's what analysis is for! And that's why my blog exists 👍

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 2/7)

PART 2 BAYBEE WAHOOO!! Three more gijinka designs comin right up!

I plan on posting them in order by groups of three, so there’s gonna be seven parts in total, all of which I’ll be linking here when done vvv

(Part One) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) This also contains a small amount of blood on one of the images!!

@saltydkart-reblogs

And that’s pretty much it, designs under the cut!

JOE:

The reason Joe dislikes most bird pokemon such as fletchling is because they're always stealing and pecking at the olives he... or well more specifically his company grows.

Speaking of which, they own a large plot of land which is used specifically to grow olive trees, which of course are used to make the olive oil he sells. What? Did you think that the olives come from Joe themselves? Of course not silly, welcome to capitalism.

That being said, Joe DOES know how to garden. When they first started their olive oil company they had to grow their own olive trees. Nowadays, in their spare time, they'll sometimes be found tending to the olive trees in their company's garden.

His crown is personally tailored for Joe and Joe ONLY. Crafted with the shiniest gold and the richest olives, all fit for a king! Somehow it never falls of his head. (Fun fact: the points are made to look like olive oil bottles)

Joe needs glasses but usually wears contacts when in public. Not that they look bad with glasses, it's just a personal choice.

Joe LOVES being involved in... well, anything! As long as it's not weird or sexual or illegal (that last one counts UNLESS it involves scamming others into buying his oil products), he is more than happy to invite himself into whatever is going on around him. What are you going to do? Stop him? Oh please!

HANNAH Ü:

At the start of her career, she would spend her days doing her own one-man (or.. well... woman) shows at subway stations, telling stories and entertaining other pokemon and people alike while they waited for the next train to arrive.

Her hat and cape are made entirely of salt! She is able to transform her cape and hat into different shapes and usually used this ability of hers to make stuff such as accessories, hats, and props that fit the role she's donning at the time.

Hannah LOVES collecting stickers and often wears them proudly on her body (in her poke form ofc ofc). However, she usually has to get someone else to stick them onto her bc of her lack of actual hands.

Some of her improv roles are inspired by the people she meets while others are inspired by pieces of media she's interested in at the moment.

Will ABSOLUTELY learn a new language if she needs to for a role. Duolingo speedrun world record

MYKYIE:

As stated previously, Mykyie used to be a circus performer before he quit to pursue his dreams. His most popular act involved him spinning plates on a stick while standing on a ball.

^^^ Because of this, he also has really, REALLY good balance.

Mykyie always keeps his Miku glowsticks on him, even when not attending any of her concerts.

"Anger Point" is basically an uncontrollable form of last resort whenever Mykyie is close to death but can still fight, it usually leads to him attacking whoever or whatever caused him great harm (In the instance of Lark, it was when he crit Mykyie and the ladder's health was extremely low.)

The Miku tattoo on Mykyie's arm was designed by Mykyie himself! However, it was drawn on him by an anonymous underground artist who went by many names to hide his true identity. The name that the artist went by at the time Mykyie got his tattoo was "Cl@ir33"

The cuffs and cape that he wears are... well, WERE, red. An unknown force seems to be slowly turning them into a shade of blue.

And that's all the HCs for now! Next Gijinka batch will consist of GrAce, Braidy, and Christene's

Also here's the posterless version of Joe's Gijinka bio before I go